All about the Tartarian empire: the alleged civilization hidden under the ground

It is not unusual to come across conspiracy theories that attribute all sorts of qualities and feats to mythical civilizations with customs and tools different from ours. Frequently, real facts are taken and reconstructed from premises that lack veracity and historical foundation. This is the case of the Tartarian empire as, although there was a population credited with this name, it was not an empire of advanced technology hidden under the earth.

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Architecture according to the myth of the Tartarian empire

The myth of the Tartarian empire revolves around the belief that there was an empire that, despite emerging in what today would be a part of Europe and Asia, would have spread throughout the world with advanced technology and an ostentatious and generously detailed architecture.

According to the theory of the Tartarian Empire, this civilization is credited with the construction of cathedrals and other buildings that today are part of the heritage of humanity, even claiming that the construction of the capitol of Washington is part of its legacy. 

This myth assumes that the most architecturally valuable buildings in the world with Beaux-Arts finishes – a very important architectural style in France until the end of the 19th century – are the result of the state-of-the-art technology possessed by the Tartarian Empire. So the great world powers have taken care to hide and even destroy remnants of some of the architectural works of the empire to eliminate historical evidence that proves the existence of the Tartarian Empire.

One of the cases involving the destruction of evidence is related to the demolition of the Singer Building. In 1908, the American architect Ernest Flagg inaugurated the Singer Building in Lower Manhattan, a Beaux-Arts style construction of magnificent details made for the Singer Company, a well-known manufacturer of sewing machines. 

The infrastructure had 27 stories, a mansard roof, and a delicate spire at the top.

Opulence was its common denominator, both inside and out. Every corner enjoyed the finest and most exquisite details, so much so that the architecture behind the building was the subject of the book A History of the Singer Building Construction: Its Progress from Foundation to Flag Pole. 

Its marble columns, bronze details, and vaulted ceilings gave it the reputation of being a heavenly environment. 

For only one year, the building was recognized as the tallest in the world at 187 meters high, for, a year later, in 1909, the Metropolitan Life Tower surpassed its height at 213 meters.

Despite being almost a monument, Singer decided that the tower did not offer enough office space and therefore sold the building. As early as 1967 the building was demolished, making it the tallest building to be peacefully demolished. 

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This incident is one of the examples often used by theorists of the Tartarian empire to support the existence of this civilization. However, the demolition of the Singer Building had nothing to do to destroy evidence of ostentatious architecture, but with corporate decisions of the Singer company.

It is worth mentioning that the theory behind the Tartarian empire also suggests that the cathedrals and other historic buildings we see today are only the tops of gigantic constructions whose remains lie beneath the earth.

The myth asserts that modern buildings were built on the remains of civilizations that were buried after a mudslide. The natural disaster, they claim, affected most of the world’s cities.

The Tartarian Empire community

As it is a conspiracy theory distributed through social networks, an online community has formed to support the theorists of the Tartarian empire.

This is the case, for example, of Joachim Skaar, a YouTuber who has built an entire community around the Tartarian empire myth. His content tends to lean towards evidence supporting the existence of the empire centuries ago. 

For Skaar and other Tartarian empire theorists, architecture can be divided into two. On the one hand, is modern architecture, which today manifests itself through tall concrete and glass boxes, and on the other is Tatarian empire architecture, which is any construction that reflects architectural choices that do not fall into the modern category.

However, regarding the use of materials such as concrete, glass, and plastic in the modern world, the trend is due to the low cost of these inputs and not precisely to the arbitrary inclination for modern structures. 

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Tartaria, myth or reality?

To better understand the mythical theory surrounding the Tartarian empire, it is necessary to understand that although there never was an empire as such, the term Tartaria was used to refer generally to the territory between central and northern Asia. 

Years ago, the word was used in countries such as Spain to refer to the entire region comprising the central and northern areas of the Asian continent. Cartographers of the time also used the term as an element that was more convenient for them, since it generally grouped a territory that was not associated with major commercial interest at the time.

For the theorists of the Tartarian empire, the maps in which the so-called Tartaria is shown provide sufficient evidence to suppose that the territory was intentionally eliminated for political purposes. Given this, cartography experts call for an understanding that maps have not always been as accurate as they are today.

In the past, cartographers had to rely on the accounts of explorers to visually represent little-known territories, either because there was insufficient commercial or political interest to encourage exploration. Thus, older maps cannot be considered accurate, as they were constructed from biased observations.   

Although history shows sufficient evidence to support the use of Tartaria to refer to a specific area of Central Asia, there is no evidence to support the existence of the Tartarian empire and, therefore, one cannot speak of Tartarian architecture but of the evolution of the architecture itself.

The myth continues to gather followers who group and expose evidence that, in many cases, are no more than circumstantial factors.

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